11.30.2007

Finally, someone who's willing to upgrade the book.

This started as a short, pithy response to an infuriating article, but, as usual, I got out of control. So, um, sorry. I'll post a video of some guy kicking groins next time.

The cover story of Newsweek's 11/26 issue is titled, "The Future of Reading," and the cover features a photo of Amazon's Jeff Bezos slyly poking his head out from behind his new innovation, the Amazon Kindle, which is more or less an Ipod for books. The product is displayed so prominently on the front page that you wonder if the article is going to be a big advertisement for the new product. And, of course, that's exactly what the article is. Article author Steven Levy's cheerleading is so egregious throughout that you have to wonder whether Amazon actually paid for this coverage, as Levy's breathless praise makes the machine sound like it's better than 10 Super Bowls.

What's so good about this thing? First, it allows you to buy books online very quickly, and have the full text in your hand within minutes. That actually is pretty cool. Of course, you'd have to read it on a tiny little screen, but okay, still not awful.

What else is awesome about it? Well, it's connected to the Internet. And, hey, that's pretty cool, I guess. The article never considers asking why I would need to be able to access the Internet through the same device from which I'm reading-- especially when many people read specifically to escape from the constant bombardment of awful noise-- but, like most of the article, it relies on the base assumption that if it's connected to something else, it is inherently good. Examples of what all of this connectivity will provide?

Let's let Levy pick his jaw off the floor and speak for himself:

This is already happening on the Web. Instead of retreating to a cork-lined room to do their work, authors like Chris Anderson, John Battelle ("The Search") and NYU professor Mitchell Stephens (a book about religious belief, in progress) have written their books with the benefit of feedback and contributions from a community centered on their blogs.

"The possibility of interaction will redefine authorship," says Peter Brantley, executive director of the Digital Library Federation, an association of libraries and institutions. Unlike some writing-in-public advocates, he doesn't spare the novelists. "Michael Chabon will have to rethink how he writes for this medium," he says.


Jeff Bezos' little handheld machine is going to make Michael Chabon rethink how he writes? Really? Why-- because he'll have to cater to the whims of regulars on Internet message boards? As a message board regular myself, I must confess to you non-message boarders: 95% of all things written on message boards are retarded.

. Adam Smith, product director for Book Search, says the process is all about "getting rid of the idea that a book is a [closed] container."


Maybe we should just get rid of people who have this idea in the first place.


Jim Gerber, Google's content-partnerships director, suggests that it might be an interesting idea, for example, for someone on the liberal side of the fence to annotate an Ann Coulter book, providing refuting links for every contention that the critic thought was an inaccurate representation. That commentary, perhaps bolstered and updated by anyone who wants to chime in, could be woven into the book itself


I like anything that could make Ann Coulter look worse, but the concept of people being able to litter your books with any idiotic observation they want? I don't like that. If I wanted that, I'd buy more used books.
If I want an opposing viewpoint, I'll read another book, rather than cramming it all onto one page.

Finally, Levy suggests that the reason so few people read (you know the statistics) is that books are too pricey. So, he comes up with a totally logical solution:

For argument's sake, let's say cutting the price in half will double a book's sales—given that the royalty check would be the same, wouldn't an author prefer twice the number of readers? When I posed the question to best-selling novelist James Patterson, who was given an early look at the Kindle, he said that if the royalty fee were the same, he'd take the readers.


If you cut the price of a paperback from $10 to $5, the number of readers will double! The problem is that no one out there can afford that extra $5, because they need it for cigarettes and gas money. And of course, James Patterson would be fine with it because he'd get the same amount of money. Assuming, of course, that there are hundreds of thousands of would-be readers out there just wishing the price of a book of short stories could drop, and that they could be as affordable as, say, butt shorts (perhaps their shorts say "Reader" instead of "Hottie" or "Slut") or sneakers with wheels in the heels.

Oh, and just in case sales don't increase, Levy suggests that they could just slap some advertisements in the books. Why the hell not? I can't see how this could possibly have a negative impact on literature.

Two dissenting views are offered, very gently rebuffed, and mostly ignored. First, Levy quote Annie Proulx as saying "Nobody is going to sit down and read a novel on a twitchy little screen. Ever." The rebuttal? A patronizing, "Oh, Annie." you've won me over, Levy!

Also, John Updike is given some space to argue that not everything needs to be connected to everything else, and that the Internet is not some inherent good that automatically makes everything better just by touching it. But his voice is watered down and crammed into a paragraph at the end, after you've already been pounded over the head with the greatness of this $400 device, no rebuttal is offered, and Bezos gets the last word.


Of course, Levy does offer some criticism. His main critique? The Kindle does not have Youtube capability. Because when I'm reading Beloved what I really, really want to do is be able to access videos of fat people getting hit in the balls with watermelons. So, maybe the next version of the Kindle can allow me to access youtube, Itunes, multiple porn sites, and a celebrity gossip blog; that way, I could do all my reading without having to worry about actually reading the book. The fact that the youtube "problem" is even an issue to him reveals an inherent disconnect with the concept and goals of real reading and writing; if that's why you're not laying out $400 for the Kindle-- a device smaller, more expensive, harder on the eyes, and generally more useless than any book ever-- then you just don't understand why people read in the first place.

I love new technology as much as the next guy, but not everything is necessarily better if it's palm-sized, connected to the entire world, and littered with the refuse of the Internet.

11.29.2007

Beowulf is Cool, Yo!

I saw the animated Beowulf in 3D right before Thanksgiving, and while the look of the movie was impressive, I was even more shocked by the way that they tweaked the old Norse legend and actually improved on it, and gave it an ambiguous ending to boot.

One of the annoying things about it was that some of the characters looked exactly like the humans voicing them, like Antthony Hopkins, Angelina Jolie, and surprisingly, Crispin Glover, but others did not, like Beowulf himself--voiced by 50 something Ray Winstone, and for some reason they couldn't make Robin Wright Penn's character look like Princess Buttercup, a semi-major failing. The movie tries to do too much, shoehorning a quasi-critique of Christianity as the "new religion" that is destroying the heroic age that doesn't really fit in the movie, and also features a monster wearing high heels (guess which one!).

Here is a trailer that actually captures the transformed story pretty well, without giving too much away. I hope.

11.27.2007

For No Particular Reason At All

11.21.2007

NPR Rocks

I never thought I'd say those two things together, but it's true: NPR rocks. They've pulled together all their various music stuff -- previously scattered all over their huge-ass site -- into one nifty little spot: NPR Music.

The site includes in-studio sessions from Philly's great WXPN, as well as loads of live shows from DC's own 9:30 Club.

Including, amazingly, last night's totally kickass show by the Hold Steady.

Check out the site, check out the show.

11.20.2007

Hiphoponomics

This is completely brilliant.

A sample:





And a chart of one of my favorites:









link courtesy of gerry canavan's blog

11.19.2007

Everybody underestimates the kick in the groin

Let former UFC champ Bas Rutten teach you to defend yourself!



And remember: it doesn't work if you don't make the accompanying sound effects.

11.08.2007

The Football Coach Online Translator, Redskins Version

In honor of this week's Eagles-Redskins tilt at FedEx Field, I give you (and TMac) the greatest dictionary definition ever.

A "true Redskin": Aging journeyman skill position player who wouldn't make the roster of most "good" teams and lacks any discernible above average skills. And he loves Jesus. See "Thrash, James."

more at:
http://wheelhouse.blogspot.com/2007/11/gibbs-to-english-dictionary.html

11.07.2007

Mandy Moore Dating Matthew Perry?

I don't know whether to be hopelessly crushed or stupidly optimisitic over this news.

Quite frankly, as of 2007, if Mandy Moore has descended to this depth, then li' ol' me can't be far behind...or maybe she's on a magical dating tour of Zach Braff's comedic influences.

Hat Tip: The Superficial , where there's lots of good stuff about George Clooney almost throwing down with Fabio, Kim Kardashian's patootie, Dog: the Interview, and did I mention Kim Kardashian's pooper?

11.06.2007

Trust Slate to Take a Backlash Too Far

With regards to my previous Seinfeld post, I just stumbled across Ron Rosenbaum's ode to Rick Shapiro, a foul-mouthed comedian who was pretty funny as the vagrant brother of Mrs. Lucky Louie. Not saying this guy isn't funny, though one of the clips on his MySpace page wasn't all that great, but Rosenbaum clearly takes things too far here:

Shapiro's riffs are not only NSFW, they're NSFL—Not Safe For Life. They're unhealthy and often deeply disturbing. They're not about Seinfeld's quotidian "nothing," they're about a profound, nihilistic Nothingness. Hilarious, yes, exhilarating to hear someone say such uncompromisingly ugly truths, but it's a bitter brew: He makes the legendary Lenny Bruce sound as bland as Seinfeld the billionaire bore.
Say what you will about the current manifestation of Seinfeld, but Seinfeld the Show's depiction of "nothing" was nihilism dressed up as quotidian. It is true, as Rosenbaum says, that Jerry's Upper West Side seemed more like suburbia, but maybe that was precisely the point. Jerry and his friends were mean and selfish and they constantly let nagging, insignificant details become obsessions and ruin any chances at happiness they could have. Remember that George's cheapness got his fiance killed, which brought him great relief; Jerry got a Pakistani man deported; and in the finale they all end up in jail for laughing at--and videotaping--a fat guy getting mugged instead of helping him.

It is well and good to rip Seinfeld a new one for his Bee Movie and endless shilling, but quite another to retroactively dismiss his real accomplishments, and his show's lasting influence on comedy today (It's Always Sunny in Philadelphia is a highly enjoyable Seinfeld rip-off. Charlie=George / Sweet Dee = Elaine)

11.05.2007

New Reviews on Growler


New reviews are up over at Barrelhouse's sister site for poetry reviews, Growler.

Our reviewers take on first books by Carly Sachs, Dorothea Lasky, Anne Pierson Weise, and Lisa Olstein.

Carly Sachs' meditation on memory, loss, and the holocaust, the steam sequence, is the latest from Washington Writers' Publishing House; Dorothea Lasky's Awe from Wave Books; Anne Pierson Weise won the 2006 Walt Whitman Award from the Academy of American Poets; and jubilat editor Lisa Olstein's Radio Crackling, Radio Gone is new from Copper Canyon.

11.02.2007

Jerry is Larry, Larry is Jerry, Jerry is Larry...That's It! Jerry's a Jerk!

Having had to sit through the Jerry Seinfeld TV miniatures on NBC promoting Jerry Seinfeld and/or Bee Movie, this Jerry Seinfeld backlash can't happen soon enough. Good to see he's doing his part to help it along.

Maybe, Jerry, just maybe, your wife is not doing it for the money, but maybe, just maybe, the author who wrote the first book is? Maybe, just maybe, she needs the money more than your wife? I guess if you're not doing it for the money, you can pretty much do anything, no? Like shill yourself out to a huge corporation that has nothing to do with your movie, just to sell a few more tickets to a mediocre movie? Personally, I think Jerry's wife wanted to fill the void of celebrity do-gooder wife now that Laurie David is out of the loop, and Hot Button Issue #2 is children's obesity and its chief enabler: cupcakes



The genius of Larry David is becoming clearer and clearer: When you are assholish rich, it's better to play one on TV too, rather than try to endear yourself to an American public that you never really liked in the first place.

More on the Jerry Seinfeld we are coming to know and hate.

11.01.2007

Barrelhouse Online: Fall 2007

Hello little monkeys:

The new online issue of Barrelhouse is up and running on these here Interwebs, featuring new fiction about Tom Cruise, Mitch Albom, the difficulties of marriage and creepy New Agey self-help gurus.

Plus an essay on Wonder Woman Barbie, and our own Dave Housley's tribute to the greatest reality show of all time.

Check it out.

And remember: if you want to be Internet Famous just like these fine, fine writers, submit your best, strangest, funniest, shortest, most unsettling, Earth-shattering work via our super-fancy online submissions manager (select "online" under the genre tab).

Happy reading!